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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the pair scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a classic of electronic music.

He subsequently founded the innovative techno group The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball passed away peacefully in his rest at his home in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball performed in a mobility chair, as he had for the last two years, following a spate of ill-health.

"I managed to injure myself quite a bit," he stated in 2023. "I broke lower vertebrae in my back and fractured about five ribs and broke my arm."

Following catching a lung infection and developing sepsis, he was placed in an induced coma and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for release in the coming year.

"He was focused and so happy with the new album that we literally finished only a few days ago," stated the singer in a tribute.
"It's so sad as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the music you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from being in a band, the bond is very tight," he added.
"That's how it was with us. We experienced so many extraordinary, extraordinary, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He grew up in the seaside town with adoptive parents his caregivers, who altered his given name from Paul to David, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they established Soft Cell the very year, and promptly produced an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant showman, all glitter and makeup; but they achieved a rare creative synergy.

Ball had developed a interest with electronic instruments after watching Kraftwerk appear on a television science show a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular song of the early 80s, selling 21 million units globally. Alongside hits by Gary Numan, Human League and Ultravox, it contributed to cleared the path for the synth-pop sound of the 80s.

The track was also included on their first album, their initial LP, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were developing new material until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to afford my initial property, having financial security and exploring, which makes me sound like a Miss World," Ball recently told with a music magazine.

But it also presented problems. "Sudden riches allowed we could purchase newfound drugs to relieve the monotony" of press appearances and television shows, Ball explained.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to produce a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, that year.

Yet, they remained together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's upcoming release as a tribute to the New York club scene they frequented while recording their first two albums.

He noted that his period in medical care had shaped the group's music.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 80s."

The last versions were finished only days before Ball passed away. It is scheduled for release in Spring 2026.

Written by

Martha Schmidt MD

A passionate software engineer and educator with over 10 years of experience in web development and teaching coding to beginners.

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